About Me

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Pete Turpie grew up in Northumberland, England. He studied History of Art and English Literature at Manchester and Open University. Pete worked in Further Education management for almost 30 years. Writing under the pen-name 'Alan Wickes', his poetry has been published extensively in the UK, North America and Australia, appearing in Aesthetica, Znine, Worm, Loch Raven Review, The Chimera, Envoi, The Raintown Review and Angle. His sonnets have won Ware Poets national competition twice, in 2004 and 2009. Cannon Poets awarded first prize to his poem "Parting Shots" in November 2006. In November 2007 his chapbook Prospero at Breakfast was published by Modern Metrics. His work has featured in anthologies and he is included on 'The Hypertexts' site as a spotlight poet. In 2012 the sonnet sequence 'Nighthawks' was nominated for a Pushcart Prize. Pete retired in 2012 and has recently completed an M.A. in Humanities with the University of Derby. In the longer term he is looking forward to travelling more extensively, enjoying family life and to have more time to further develop his writing.

Wednesday, 2 January 2013

Lonely Planet

I dreamt we walked across an ashen beach;
the brittle moonlight gleamed through ragged mist.
You slipped ahead, not quite beyond my reach,
glanced back, and touched my cheek. We never kissed.

Then waking in a warm, half half-empty bed,
to children's laughter echoing outdoors,
my head echoed with words we left unsaid:
approaching footsteps - they cannot be yours.

Inhabiting instead, a lonely planet,
for us, no thrill of softly yielding flesh,
the sultry aftermath, when souls enmesh.
In cyberspace, remote yet intimate,
as modems trill: a satellite above,
defies the gravity of hidden love.


A few weeks on with the help of new found cyber-pals, maybe I was beginning to better understand some of the challenges of sonnet writing . Technically the metre's not bad. it turns quite nicely and the final couplet packs a bit of a punch. True, the rhyme scheme in the sestet is unconventional and the inversions in lines 8 & 9 border on the archaic. This is hardly the point however, the thing is mawkish; even at the time I was not at all comfortable with my state of mind and I chose to post this just before I headed off for an extended trip to Corsica, I'm not sure now how that was supposed to help.

Managing life on-line has become so mainstream these days that it's difficult to imagine, just twelve years ago, how odd it felt to end up in remote, web-based relationships - though I suppose 'You've got Mail' from 1998 kind of touched on it. These days the phenomena has  spawned a whole new academic discipline. Amber Case describes herself as a Cyborg Anthropologist, and explains that we all have two adolescences now, both equally awkward, a real world adolescence and a virtual one. The realisation, a decade on, that in fact what felt at the time like some kind of out of the blue, alien emotional crisis, was in fact just the machinations of a social trend - does that help, or just render the whole experience crushingly mundane?  Like real adolescence, cyber-adolescence seems cringe-worthy  afterwards, particularly so poetry produced under its dubious spell.

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