An afternoon just to ourselves, a gift
so rare these frantic days - to languish
beneath the drooping elms; in dark pools, adrift
amongst irises, gigantic golden fish.
Above the lake, swoop aerobatic swifts.
As if depicted on a Chinese dish -
a tiny bridge, blue hills half glimpsed through mists -
I drop a coin into the depths and wish
these days of splendour weren't doomed to failure -
each burgeoning moment wilfully missed.
Should we have paused beneath the azalea,
and in that velvet-scented stillness, kissed;
and risked with one impetuous embrace,
this sanctuary - our transitory grace?
Looking back in the Sonnet Board archive I think this was the second poem I posted, around July 2001. I was starting to have quite a bit of fun with the form and attracted some good feedback. The azalea/failure rhyme was a bit of a hit. There are obvious weaknesses through - lines 3 and 4 end up 'syntactically challenged' as I struggled with form and meaning.
More seriously, this still had a bad bout of 'poets disease', the diction and mood is very sentimental and gushing. Fellow writers on the board were very kind - concentrating on helping me with technical issues rather than laying into the content. The board's focus on formal and technical matters helped me develop, not just my skills, but a better understanding of the whole business of writing poetry.
Looking back now, I can see how right from when I started writing poems at the age of 14 or so, up until I came across fellow writers at the Sonnet Board, I'd assumed that what poetry was all about was self expression. I suppose, given that the poets that I first started reading - Dylan Thomas, Sylvia Plath - conformed to the stereotype of doomed but inspired geniuses, combined with a Seventies 'me generation' zeitgeist, my attitude was not so surprising or untypical. What contact with other poets, especially American poets, started to teach me was that poetry was largely a question of deconstruction and reconstruction, or as Wallace Stevens called it - a sublime fiction.
Any inkling of such a notion was still months off - I just revelled in the pleasure of posting, giving and receiving feedback from people with a similar passion - it felt great.
About Me
- Pete Turpie
- Pete Turpie grew up in Northumberland, England. He studied History of Art and English Literature at Manchester and Open University. Pete worked in Further Education management for almost 30 years. Writing under the pen-name 'Alan Wickes', his poetry has been published extensively in the UK, North America and Australia, appearing in Aesthetica, Znine, Worm, Loch Raven Review, The Chimera, Envoi, The Raintown Review and Angle. His sonnets have won Ware Poets national competition twice, in 2004 and 2009. Cannon Poets awarded first prize to his poem "Parting Shots" in November 2006. In November 2007 his chapbook Prospero at Breakfast was published by Modern Metrics. His work has featured in anthologies and he is included on 'The Hypertexts' site as a spotlight poet. In 2012 the sonnet sequence 'Nighthawks' was nominated for a Pushcart Prize. Pete retired in 2012 and has recently completed an M.A. in Humanities with the University of Derby. In the longer term he is looking forward to travelling more extensively, enjoying family life and to have more time to further develop his writing.
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