About Me

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Pete Turpie grew up in Northumberland, England. He studied History of Art and English Literature at Manchester and Open University. Pete worked in Further Education management for almost 30 years. Writing under the pen-name 'Alan Wickes', his poetry has been published extensively in the UK, North America and Australia, appearing in Aesthetica, Znine, Worm, Loch Raven Review, The Chimera, Envoi, The Raintown Review and Angle. His sonnets have won Ware Poets national competition twice, in 2004 and 2009. Cannon Poets awarded first prize to his poem "Parting Shots" in November 2006. In November 2007 his chapbook Prospero at Breakfast was published by Modern Metrics. His work has featured in anthologies and he is included on 'The Hypertexts' site as a spotlight poet. In 2012 the sonnet sequence 'Nighthawks' was nominated for a Pushcart Prize. Pete retired in 2012 and has recently completed an M.A. in Humanities with the University of Derby. In the longer term he is looking forward to travelling more extensively, enjoying family life and to have more time to further develop his writing.

Monday, 10 August 2015

Darley Abbey

After a break of a year or so in which we amused ourselves by wandering around France, Spain and Germany, recording our escapades as we went, time at home over the summer months is dragging so much I have even begun to write a poem or two. This one is an attempt to start filling the gaps in the A38 sonnet series. Small gap filled, gaping holes elsewhere remain to be fixed!

Darley Abbey
 
Board A: The Evan’s Legacy – The Mills.
Stand here, before this given point of view,
a naïve acolyte, a pilgrim , who
bowed before these sepia tinted stills
conflates faux heritage with history.
The past is not a present, kindly given,
not fact, but remnants couched in mystery,
received wisdom, a bias, or revision.
In winter spate the river Derwent roars
through broken sluice gates. Framed by leafless trees
the mill looks picturesque, and postcard cute -
the worker’s whitewashed cottages. Some jigsaw
bits won’t fit, their awkward histories displease –
the Sixties bungalow – the past we can’t refute.

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